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Jean Marc Nattier
Madame Marsollier and her Daughter
1749
Metropolitan Museum of Art, New York
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Jean Marc Nattier
Peter I
1717
Oil on canvas
The Hermitage, St. Petersburg.
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Jean Marc Nattier
Catherine I
1717
Oil on canvas
The Hermitage, St. Petersburg.
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Jean Marc Nattier
A. B. Kurakin
1728
Oil on canvas
The Hermitage, St. Petersburg.
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Jean Marc Nattier
Louise-Anne de Bourbon-Cond, called Mlle. de Charolais
1731
Oil on canvas.
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Jean Marc Nattier
The Countess Tessin
1741
Oil on canvas
Mus??e du Louvre, Paris.
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Jean Marc Nattier
Mademoiselle de Lambesc as Minerva, Arming her Brother the Comte de Brionne
1732
Oil on canvas
Mus??e du Louvre, Paris.
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Jean Marc Nattier
Henrietta of France as Flora
1742
Oil on canvas
Palazzo Pitti, Florence.
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Jean Marc Nattier
Portrait of Madame Sophie, Daughter of Louis XV
Oil on canvas
Chateau de Versailles, France
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Jean Marc Nattier
Marie-Adlaide of France as Diana
1745
Oil on canvas
Palazzo Pitti, Florence.
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Jean Marc Nattier
Madame Bouret as Diana
1745
Oil on canvas
Museo Thyssen-Bornemisza, Madrid.
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Jean Marc Nattier
Marie Zephyrine of France as a Baby
1751
Oil on canvas
Palazzo Pitti, Florence.
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Jean Marc Nattier
Mademoiselle Marsollier
1757
Oil on canvas
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Jean Marc Nattier
Madame de Caumartin as Hebe
1753
Oil on canvas
National Gallery of Art, Washington D.C.
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Jean Marc Nattier
Manon Balletti
1757
Oil on canvas
National Gallery, London.
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Jean Marc Nattier
Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05)
1732
Canvas 75 1/4 x 62 1/2''(191 x 159 cm)Bequest of Dr Louis La Caze 1869
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Jean Marc Nattier
The Countess Tessin Wife of the Seedish Ambassador in Paris (mk05)
1741
Canvas 32 x 25 1/2''(81 x 65 cm)Bequeathed in 1895
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Jean Marc Nattier
Peter I
mk60
1717
Oil on canvas
56x43"
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Jean Marc Nattier
A.B.Kurakin
mk60
1728
Oil on canvas
51 1/2x43"
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Jean Marc Nattier
Marie Adelaide of France Represented as Diana
mk68
Oil on canvas
Florence,Uffizi,
1745
France
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| Jean Marc Nattier
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1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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